The first couple of times I hand walked her in following C. on Monet or Koda. When I first rode her in she displayed her usual caution by stopping, going to the left, then the right, and backing up. I kept tapping her with my legs and encouraging her. Finally she walked right up to the edge, stopped dead, and dropped her head low, staring down into the unknown depths.
It must be very disconcerting for our equines when we ask them to do new things. This is one reason it always knocks me out when Molly goes ahead and gives something a try. What is she knitting together in her mind, from all her past experiences along with her current observations?
What I finally did was keep her between my legs and hands and keep saying, "You can do it! I know you can!" while C. and her mount gave further support. And in we went.
Keeping your horse between your legs and hands is one of those bits of equestrian instruction that you read in every book and hear from every instructor. You may be thinking, "But she is already there!" or "If she's not there, then where is she?" or even just "Whaaat?" This is the first time it's ever worked for me. It seems like the type of thing you can't really do until you know how to do it. This is one of the mysteries and challenges of riding, this weaving together of an idea, a feeling, and a body over time.
I often think of all my instructors, who must have looked at me in my nervous, middle aged, poorly postured form and just sighed and got on with it. In the hours that they spent with me they were laying a good foundation for both my intellectual and physical development, but the going was so slow it often seemed like nothing was happening at all.
Here's the river, without two equines and two humans to make a ruckus. |